I adore serendipity. It is -- in my perception -- the most commonly occurring magic in life. Anyone can experience it if they open themselves to it. The Isabel Allende talk I just posted in my last blog entry was a serendipitous gift in several ways.
First, just minutes before opening the TED newsletter announcing the talk in my email, I was talking with my son about going to the used bookstore this afternoon to find a good novel that I could sink my heart into, but I didn't know what to get. I didn't know who might hold the story I am next meant to experience. Then I see this talk and I realize I've only read a couple of Allende's novels even though the
House of Spirits is one of my favorite books of all time. So now I look forward to going and finding one of her books.
Secondly, and most importantly, she reminded me of several things about my search for my life's work. She reminded me of my passionate commitment to working with women and girls. She reminded me why I think that is the most important work to be done. It's not as though I truly forget these things, but going through everyday life I tend to let the threads that lead to my life's work fall away until something rings the bell of my calling with strength and then I pick them up again. I've been living the place of finding my work
someday, so I lose the urgency of my calling much of the time. I make figuring it out an intellectual exercise instead of igniting my passion so that I feel it and then live it.
She also reminded me of the revelations about my life's work that I had during my ordination process, which was never completed due to my teacher abandoning me. It doesn't surprise me that I tucked these revelations aside with everything else about that experience in my grief. The revelation was that my intense capacity for empathy could be used through art and writing to change the world by giving voice to the voiceless; using my power of expression and the privileges afforded to me in this culture to tell the stories of those who cannot tell their own. Because it is stories that change the world.
"What is truer than true? The story."As individuals, our lives are changed when we change the stories we tell ourselves about our lives. It is the stories we tell ourselves that create our perception of everything, from our place in the Universe (religions are stories) to how we understand the nature of the Universe (most sciences are stories...especially theoretical sciences...when you realize how much research is affected by the story of the individual scientist and the story they tell themselves about what they'll discover) to how we relate to our family and friends (i.e. what story do we tell ourselves about someone who hurt us? are they evil perpetrators or wounded hearts?). Tangent--this is something I'm teaching my children right now as they go through life experiences; I show them the stories they are telling themselves and how can they change them if they choose to have a happier experience of life.
Collectively the stories we tell ourselves change the world as well. The Global Warming story has fueled environmental change at every level of society. When we do fundraising for various causes, we use stories to inspire people to give. Our government blatantly manipulates stories to create a culture of fear and distract us from truth and justice. Why is Barak Obama so popular and defying expectations? It's his story, and the story he chooses to tell, his story of America -- who we were, who we are, and most importantly, who we are capable of being. His story of hope is igniting the fire of hope in a cynical culture (just today he was put down by Clinton and Romney for spreading "false hope").
I began the artist's statement on my old Yoni Endeavor website with this: "Today I came across the question, "What would you do if you knew you could not fail?"
My answer to that question is that I would create multi-media art installations that
communicated the world I perceive through empathy. "
I was most deeply in touch and satisfied with myself when I was creating sculptures, digital paintings, and poems for the Yoni Endeavor. It's the closest experience to bliss I've known. Through my visual images and writing I told my own story and the greater story of Woman. I told the story of creation and beginning through Yoni. I portrayed the intersection of the individual with the collective experience, which is what the best stories do. And I touched a lot of lives and inspired a lot of change in perspective with that project (based on what people shared with me).
What's ironic is that I've often said I'm not a storyteller. I am not the person in a group who can keep everyone engaged and laughing with little stories of my past (you know the kind of person I'm talking about). And I do not feel the capacity to write fiction stories. So I assumed I am not a storyteller. But the reality is that every artist in any medium is a story teller. We are framing a moment of life, real or imagined, in a story. And the moments we choose to frame make our unique contribution to our cultural story.
The question that came to me as I listened to Allende is whether I am meant to teach or to facilitate healing through therapy...or to do what I once I felt am meant to do, share the stories of the voiceless with the world through art and writing? Much like Eve Ensler, Isabel, and even Oprah, all women I deeply admire, I may be here to share stories, true stories, of women and girls living in the worst of circumstances in our world so that the privileged will wake up to their responsibility and the awakened will realize where the most important work is to be done (outside ourselves) if we truly want to affect change at the source of our problems (see previous post for explanation of this statement), even if it's only within their own families. Maybe the other kinds of work I imagine doing don't quite feel right (and I haven't avidly pursued them yet) because they aren't based in art and storytelling. Archetypically being Artist is only second to being Mother (and it is the Mother that gives me my giant capacity for empathy).
I've been telling myself a story of limitations. I've been convinced I have to return to school and validate my knowledge and experiences before I can make a living from my bliss. I think I need a degree to be considered an "authority" to go to for any purpose and to be paid what I am worth for the work I do. And I'm afraid of any work based in my creating art because I don't have the credentials of an art education and believe I'll never have the mastery of form. I really don't want to master a medium before telling stories; I just want to use the mediums to tell the story. And I use so many different mediums that I could never truly master them all. Art isn't about form to me, it's about message, story. I don't want to be remembered for mastering an art form, I want to be remembered for changing the world through the stories I tell. I want to be remembered in people's hearts for giving them an epiphany moment about an important issue or because I inspired them to go out and make a difference in some way themselves. Or even have the subtle effect of making them think, and possibly reconsider the story they are telling themselves.
I was deeply affected by the judgments of some local "real" artists when I showed my yoni sculptures. When I was making clay sculptures, I was using oven-fired clay and acrylic paints because I didn't have the money (or connections) at the time to do learn that kind of clay sculpting, to do glazing, or to get my work fired. Most people didn't seem to care, but I had a few snooty artists who made comments about my "sub par" work because I was doing it at home with easily accessible materials. I made my prices accessible as well ($25-75 depending on the size of the sculpture). I still feel the burn of judgment from those artists and I think I've let it hold me back from going forward as an artist because I tell myself I'm an amateur and believe everyone else will see me as one. I keep waiting for when I can afford classes and to become a member of the local fire arts center in order to use their resources. So I just do easy craft art for The Conspiracy and wait till I can become a "professional" artist.
Julia Cameron says that artists are cultural healers. Maybe I've been confusing my call to be a healer by thinking it has to be somewhat traditional and authorized by an outside entity, like being an art therapist. The degree would validate me in the world as a healer and would probably bring a sense of financial security (I'd have a specific service that people or organizations will pay for). I can see art therapy as a form of using story to heal, but the reality is that I truly feel called (and am most afraid of the call) to be an artist myself, to express my voice, and through my empathy other women's voices, in our cultural story.
I think about Eve Ensler traveling the world to collect women's stories and how by sharing those stories in her unique way she has inspired an decade-long movement and big changes in the lives of the women who need it most. When I think of what I truly want to do with my life, that is it. Collect stories by becoming involved in the lives of the world's women and share them through art/writing/performance in such a way that they inspire change. I will touch individual lives by witnessing their stories (something every human being needs) and hopefuly inspire change by sharing those stories. And the amazing thing is that if this is truly what I want to do, and I change my own story of limitation, all I have to do is start right now. I don't need school. I don't need anyone to validate my talent or skills. I just need to start collecting and expressing stories, including more of my own.
Thanks for listening.